Saturday, November 30, 2019, 8:00 pm
CINEMASTORM PRESENTS: Pee-wee's Big Adventure & Trains, Planes, & Automobiles
CINEMASTORM PRESENTS: Pee-wee's Big Adventure & Trains, Planes & Automobiles
A new double feature film series curated by the mysterious Professor Robert J. McGuffin with a focus on fun, fantastic and forgotten films (at an affordable price)
Pee-wee’s Big Adventure: Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~Hal Erickson, Rovi
The second night of the series, the seasonal favorite:
Trains, Planes, and Automobiles starring Steve Martin and John Candy. “En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, Rovi
WHEN: Saturday, November 30th at 8pm
GET YOUR TICKETS: https://www.showclix.com/event/cinemastorm
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Exciting News for A Happening IV: Leviathan
Cloudgaze and Eggtooth Productions are thrilled to announce that we have received a generous grant from the Markham-Nathan Fund for Social Justice to support our 2024 Immersive Arts Festival, “A Happening IV: Leviathan.”
This festival will transform the Shea Theater into an exploration of theme, hosting installations, music, theatrical performances, and movement pieces, featuring the collective contributions of over 30 local artists. Audiences will experience otherworldly environments and narratives inspired by folklore, fairy tales, horror motifs, American literature, and the mythos of the Old Testament, all of which delve into the central question guiding the festival: "What does it mean to encounter something greater than yourself and to be consumed by it?" Through this theme, we explore how a community reemerges and imagines itself after destruction and transformation.
With the support of the Markham-Nathan Fund, we are excited to create an event that complicates perspectives and fosters meaningful dialogue. We are grateful for this partnership and for the work of the Markham-Nathan Fund for Social Justice.
Thanks to the Mass Cultural Council for their vital support this year.We'd also like to thank the Community Foundation of Western Massachusetts for their support in the form of a Flexible Funding grant. We couldn't do this work without you!