Shea Presents: CINEMASTORM

Friday, January 24, 2020, 8:00 pm until 11:00 pm
The first Double Feature of 2020. THE THING and THEY LIVE. Come one, Come all!

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Friday, January 24 at 8PM. Beer & Wine for Sale. $6 a glass!

GET YOUR TICKETS: www.showclix.com/event/the-thing-they-live-

THEY LIVE
A homeless drifter discovers a reason for the ever-widening gap between the rich and the poor: a conspiracy by non-human aliens who have infiltrated American society in the guise of wealthy yuppies. With the help of special sunglasses that reveal the aliens' true faces and their subliminal messages ("marry and reproduce," "submit to authority"), our hero tries to stop the invasion. This satire of Reaganomics and the "greed is good" era also has one of the funniest (and longest) fight scenes in American cinema.

THE THING
John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves.

Special Thanks to Our Sponsors and Underwriters

Australis Aquaculture • Artisan Beverage Cooperative • Benjamin Company • Berkshire Brewing Company • Cohn and Company Real Estate Agency • Community Credit • Common Capital • Community Foundation of Western Massachusetts • Connecticut River Internists • Dean's Beans • Easthampton Savings Bank • FirstLight GDF Suezna • Gill Tavern • Goff Media • Great Falls Harvest • Green River Festival • Greenfield Community College • Greenfield Cooperative Bank • Greenfield Savings Bank • Loot • Massachusetts Cultural Council • Montague Bookmill Montague WebWorks • Northeast Solar • People's Pint • Rainmaker Consulting • The Rendezvous • Solar Store of Greenfield • Stobierski and Connor • Told Video • True North Transit • Turn It Up

Exciting News for A Happening IV: Leviathan

Cloudgaze and Eggtooth Productions are thrilled to announce that we have received a generous grant from the Markham-Nathan Fund for Social Justice to support our 2024 Immersive Arts Festival, “A Happening IV: Leviathan.”

This festival will transform the Shea Theater into an exploration of theme, hosting installations, music, theatrical performances, and movement pieces, featuring the collective contributions of over 30 local artists. Audiences will experience otherworldly environments and narratives inspired by folklore, fairy tales, horror motifs, American literature, and the mythos of the Old Testament, all of which delve into the central question guiding the festival: "What does it mean to encounter something greater than yourself and to be consumed by it?" Through this theme, we explore how a community reemerges and imagines itself after destruction and transformation.

With the support of the Markham-Nathan Fund, we are excited to create an event that complicates perspectives and fosters meaningful dialogue. We are grateful for this partnership and for the work of the Markham-Nathan Fund for Social Justice.

Thanks to the Mass Cultural Council for their vital support this year.We'd also like to thank the Community Foundation of Western Massachusetts for their support in the form of a Flexible Funding grant. We couldn't do this work without you!