The Shea Theater’s Opening Weekend
With renovations nearing completion, Monte Belmonte and the Board of the new Shea Theater Arts Center invite you to “Light up The Shea” with a long weekend of music. For three nights, from Friday through Sunday, March 4-6, Signature Sounds presents a trifecta of fabulous entertainment: Red Baraat, Speedy Ortiz, and Heather Maloney.
Tickets are on sale NOW with $2 from every purchase going directly to benefit the beautiful renovations at The Shea Theater, Avenue A, Turners Falls. Show details follow.
Friday, March 4, 2016, 08:00 pm until 10:00 pm
$25 in advance, $28 at the door
Famously dubbed “The best party band in years” by NPR, Red Baraat is a pioneering eight-piece band from Brooklyn, New York. Conceived by dhol player Sunny Jain, the group has drawn worldwide praise for its singular sound — a merging of hard driving North Indian Bhangra with elements of go-go, rock and jazz — fueled by 3 master rhythm makers, the muscle of horns, a raucous guitar and a booming sousaphone.
http://www.ticketfly.com/event/1071349
Saturday, March 5, 2016, 08:00 pm until 10:00 pm
$15 in advance, $18 at the door
Attention came swiftly following Speedy Ortiz’s 2012 Sports EP on the Boston-centric label Exploding In Sound, and with good reason. Amherst Massachusetts-based songwriter/guitarist Sadie Dupuis’ knotty, lyrically dense songs were fully realized by her bandmates, with intricate guitar lines crisscrossing over Darl Ferm’s fluid bass and Mike Falcone’s precisely executed drumming in a way that was simultaneously catchy and jarring. After the success of its 2013 Best New Music-honored debut full-length Major Arcana, the band formalized its assault through a year and a half of relentless touring with bands in whose brainy-slash-brawny legacies it followed—among them Stephen Malkmus & The Jicks, Ex Hex, and The Breeders. In 2014, the band added guitarist Devin McKnight of the Boston-based post-punk group Grass Is Green, whose guitar parts both match and challenge Dupuis’.
http://www.ticketfly.com/event/1071381
Sunday, March 6, 2016, 07:00 pm until 09:00 pm
$17 in advance $20 at the door
“The sounds I love in indie rock are so lush, and textured, and intricate, like someone spent a lot of time on this, so they must really care,” Maloney explains, citing influences such as Ben Howard, The Shins, and Io Echo. “And as a singer-songwriter raised on folk, I am drawn to lyrics that that are meaningful, intelligent, tell a story, paint pictures… that care. So I just wanted to make an album that cared musically and lyrically. Some sort of a bleeding heart meeting a distant, unaffected, sparkly rock band. That was the goal.”
Singer-songwriter Heather Maloney did just that on her newest LP, Making Me Break. Working with Grammy- nominated producer Bill Reynolds (Band of Horses, Avett Brothers), the two crafted and delivered on an artistic vision to merge Maloney’s folk roots with indie rock. Maloney’s new music has a definite edge, but it also has a classically trained voice that delivers well-crafted lyrics over a technical arrangement—a combination we’ve recently seen getting mainstream appreciation once more. Suddenly, the term “singer- songwriter” carries serious weight again. Chalk it up to a revival of everything 90s and Maloney’s influence from “those bleeding hearts,” as she calls them, referring to artists’ like Fiona Apple, Tori Amos and Aimee Mann.
Posted: to General News on Thu, Jan 28, 2016
Updated: Mon, Mar 14, 2016
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Exciting News for A Happening IV: Leviathan
Cloudgaze and Eggtooth Productions are thrilled to announce that we have received a generous grant from the Markham-Nathan Fund for Social Justice to support our 2024 Immersive Arts Festival, “A Happening IV: Leviathan.”
This festival will transform the Shea Theater into an exploration of theme, hosting installations, music, theatrical performances, and movement pieces, featuring the collective contributions of over 30 local artists. Audiences will experience otherworldly environments and narratives inspired by folklore, fairy tales, horror motifs, American literature, and the mythos of the Old Testament, all of which delve into the central question guiding the festival: "What does it mean to encounter something greater than yourself and to be consumed by it?" Through this theme, we explore how a community reemerges and imagines itself after destruction and transformation.
With the support of the Markham-Nathan Fund, we are excited to create an event that complicates perspectives and fosters meaningful dialogue. We are grateful for this partnership and for the work of the Markham-Nathan Fund for Social Justice.
Thanks to the Mass Cultural Council for their vital support this year.We'd also like to thank the Community Foundation of Western Massachusetts for their support in the form of a Flexible Funding grant. We couldn't do this work without you!